Jean’s work in clay has always focused on the thrown form. Early in her career most of her time was spent throwing. “The constant repetition of form helped to develop technical expertise on the wheel, and refine my sensitivity to the subtleties of form. I still find the process of throwing the most enjoyable part of my work.” She explains.
After starting her own business in 1991, she became interested in developing her own glazes experimenting with many types; from gas fired glazes inspired by Song Dynasty ware, to crystal glazes fired in an electronically controlled electric kiln.
The glazes, though they look similar to a low-fired luster or raku glaze are, actually, a high-fired crystalline glaze. During the firing process crystals develop – a micro crystalline structure not noticeable to the naked eye. These crystals refract light, and create the iridescent quality of the glaze. The process of glaze melt also leaves crystal ropes in the surface which add a dynamic dimension to the glaze.
“In creating glazes, I want to do more than simply cover the form. The glazes I find most appealing are those that invite your eye to take a closer look. I hope to achieve a balance between a simplicity of form and richness of surface, to make pieces which can be appreciated over time through daily use.”
Jean lives in Richmond, Vermont with her husband and son.